The S9600 is an update of Fuji’s S9500. The bones of the camera are largely unchanged: the 9 megapixel sensor remains, producing best-quality images with resolutions of 3488 x 2616, and the long 28-300mm fixed lens is also a carryover.

Image quality throughout the lens’ range is the S9600’s chief strength. Colour accuracy is impressive and images were sharp throughout our testing. In keeping with the S9600’s D SLR aspirations, you can set white balance manually or choose from six presets. Image noise is low, provided you shoot at ISOs lower than 400. The S9600 also offers “anti-blur technology”, but in reality the S9600 just increases the ISO to allow quicker shutter times, with commensurately higher noise.

The 2in LCD has an improved resolution of 235,000 pixels, which makes framing detail shots easier. There’s a smaller viewfinder at the top of the camera, although the 0.44in LCD struggles to provide adequate detail, particularly when attempting manual focusing; this is available via a ring at the back of the lens.

Other aspects of the S9600 will have D-SLR owners gritting their teeth. Although focus and shutter-lag speeds are good, performance is an obvious step down from even entry-level D-SLRs. Startup time varies from virtually instant to nearly two seconds, and continuous shooting in best-quality JPEG mode is limited – just four shots before the camera runs out of buffer, and then 10 seconds while the resultant images are processed. To top it off, you can forget about using the camera’s RAW mode – take a single picture and you’ll be waiting nearly eight seconds until it’s ready to take another.

The trouble for Fujifilm is that, at $749, the S9600 is less than $200 cheaper than true D-SLRs such as Nikon’s D40. The Nikon can’t match the 9-megapixel rating of the S9600, with a mere 6-megapixel sensor, but it offers much faster performance and better image quality.